"The slow construction of an image, to a rhythm of Footsteps, ends with the meeting of the monster and his fiancee. Using a subjective vision, the viewer is literally in the position of the monster and crosses several rooms filled with objects and beings along the line of progression until emerging into the face of the loved one who lets off a cry of horror."
Audience award at Solothurn Filmfestival; Critic’s award C.I.D.A.L.C. at Berlinale; Special Jury Prize at Zagreb Filmfestival; Bronze Medal at the festival of Chicago: Special merit at the festival of Athens (USA)
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