Showing posts with label Armenia. Show all posts
Showing posts with label Armenia. Show all posts

Monday, December 6, 2010

Don Askarian - Avetik (1992)

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http://img21.imageshack.us/img21/5333/imdbimage.jpg

"Avetik" is very much in tradition of the cinema of dreams. A gorgeous and mesmerizing film, "Avetik" both thrills the eye and boggles the mind. It takes you on a journey of the mind that leads to heaven or hell - a succulent garden full of bare-breasted goddesses or a frozen step of devastation and death". "Askarian is capable of producing images that are unlike anything ever seen before, yet hit you with a primal immediacy".Hovering between the realms of poetry and history, this stunningly photographed, elegiac work-hot mostly in long takes-mixes cryptic metaphor and fantastic symbolism to tell the story of Avetik, an Armenian filmmaker exiled in Berlin. Director Askarian employs dreamlike images-a crumbling, ancient stone chapel gradually reduced to nothing by the rumbling vibrations of passing military vehicles; a ghostly cemetery of carved tombstones in which a woman takes a starving sheep in her arm and breast-feeds it back to life-to reflect the history of his homeland and shades of his own exile in Germany. In sensuous, lyric tableaux, Askarian explores German racism, the 1915 Armenian genocide, the disastrous earthquake of 1989, tranquil childhood memories, and images inspired by erotic medieval poetry.








http://www.filesonic.com/file/39505509/Avetik (Don Askarian, 1992).avi
790MB
included: English hardcoded
no pass

Friday, December 3, 2010

Henrik Malyan - Nahapet (1977)

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http://img21.imageshack.us/img21/5333/imdbimage.jpg

Quote:
Story of a strong-willed man, Nahapet, who lost his family during the 1915 Genocide! is an eternal story of resurrection.

Quote:
From imdb
Storyline

Nahapet (meaning also patriarch in Armenian) has lost all his family and intimates, his house and properties during the 1915 Genocide. Self-absorbed and reticent, he reminds a withered tree. Same is with the village on the slops of Aragatz mountain where he finds shelter - half-destroyed houses, cowed faces, sun-scorched rocky earth. Could Nahapet find inner strength to build a new house, start a new family, revive the things cast away by the destiny. Eternal story of resurrection, so much symbolic for Armenian nation's history. Written by Artak





http://www.filesonic.com/file/38311579/Naapet_DVDRip.avi
1.32Gb
or

http://www.filesonic.com/file/38323613/Naapet.1977.part1.rar
http://www.filesonic.com/file/38323635/Naapet.1977.part2.rar
http://www.filesonic.com/file/38323313/Naapet.1977.part3.rar
http://www.filesonic.com/file/38323585/Naapet.1977.part4.rar
http://www.filesonic.com/file/38323567/Naapet.1977.part5.rar
http://www.filesonic.com/file/38323755/Naapet.1977.part6.rar
http://www.filesonic.com/file/38323761/Naapet.1977.part7.rar
http://www.filesonic.com/file/38323605/Naapet.1977.part8.rar
http://www.filesonic.com/file/38323607/Naapet.1977.sfv

no pass,sorry no subs

Thursday, October 7, 2010

Sergei Parajanov - Ukrainskaya rapsodiya aka Ukrainian Rhapsody (1961)

http://img154.imageshack.us/img154/4364/ukrainskayarapsodiya200.jpg

http://img21.imageshack.us/img21/5333/imdbimage.jpg

Quote:
"Ukrainskaya Rapsodiya" (the USSR, 1961) of Sergueï Paradjanov is a film saga of oceanic proportion with many rivers flowing into it. The characters are the affluents which mix in and distinguish themselves within the furrows of the storyline. An ocean of images but of musics too. Cause the film evolves more by its musical quality, then by its narration.

Orksana, talented student at the Ukrainian Academy likes Antonin whom she met in her youth. Here the love is less tumultuous in retrospect to "Pervyy Paren" (USSR, 1958) of the same Paradjanov, even if a certain formal expression of it remain. In this third feature of the Armenian filmmaker; the Second World war, one of the rare History adaptations of Paradjanov, come to disturb the peaceful flow. "Ukrainskaya Rapsodiya" thus enter in a powerful melody, the railroads, industrial symbols of the river, cross in several plans, as if to illustrate the opulence of the livings.

The skies, the sun, the moon and their clouds also represent the state of the world which it overshadow. History of ravaged love by war, this film end eventually on a merry optimism, of the nature which still inhibit Paradjanov before his 5 years imprisonment. And it does not matter if the film is not seized with its first viewing, the melody of the images, the esthetics of the musics, the heterogeneity of the film produces a singular vision which exceeds its nature as a musical comedy.

Greatest masterpiece of Paradjanov, "Ukrainskaya Rapsodiya", the filmmaker starts to establish in this film the movement within the static, the moving music within pictorial frameworks. In fine, it is the enthusiasm of Paradjanov which transpires through the humility of the film and edify it as an icon.












http://rapidshare.com/files/255601680/Ukrainskaya_Rapsodiya.avi.001
http://rapidshare.com/files/255601477/Ukrainskaya_Rapsodiya.avi.002
http://rapidshare.com/files/255602442/Ukrainskaya_Rapsodiya.avi.003
http://rapidshare.com/files/255602272/Ukrainskaya_Rapsodiya.avi.004
http://rapidshare.com/files/255601600/Ukrainskaya_Rapsodiya.avi.005
http://rapidshare.com/files/255602634/Ukrainskaya_Rapsodiya.avi.006
http://rapidshare.com/files/255602453/Ukrainskaya_Rapsodiya.avi.007

Language: Russian (French Hardsubs)

click here for eng subs

no pass

Sergei Parajanov - Tsvetok na kamne AKA A Little Flower on a Stone (1962)

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http://img21.imageshack.us/img21/5333/imdbimage.jpg

Description: Full of arresting chiaroscuro images, Paradjanov's only monochrome film plays like a noir thriller. Set in a mining town in the Donets Basin, it centres on a clash (allegorical?) between the political establishment and a religious cult which infiltrates the community. With critic Ron Holloway's Paradjanov: A Requiem (Germany 1994, 59min): a lengthy 1988 interview with Paradjanov frames clips from all the films and samples of his drawings and designs.

(http://www.bfi.org.uk/whatson/node/14484)








http://rapidshare.com/files/187563898/Tsvetok.na.kamne.1962.part1.rar
http://rapidshare.com/files/187565002/Tsvetok.na.kamne.1962.part3.rar
http://rapidshare.com/files/187566437/Tsvetok.na.kamne.1962.part5.rar
http://rapidshare.com/files/187566734/Tsvetok.na.kamne.1962.part2.rar
http://rapidshare.com/files/187567205/Tsvetok.na.kamne.1962.part6.rar
http://rapidshare.com/files/187567710/Tsvetok.na.kamne.1962.part4.rar
http://rapidshare.com/files/187569001/Tsvetok.na.kamne.1962.part7.rar

English subtitles
http://www.podnapisi.net/tsvetok-na-kamne-1962-subtitles-p663481

no pass

Wednesday, July 7, 2010

Robert Sahakyants - Das (1987)

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http://img21.imageshack.us/img21/5333/imdbimage.jpg

Russian cosmonauts land on a peaceful planet and place the rule of cruel and ruthless conquers. The planet then teaches them a very important lesson: there are extreme consequences for their actions. This animation is an thinly veiled account of colonialism in general and the Russian (Soviet) rule over Armenia in particular. Written by SindyMac

http://i44.tinypic.com/mr62s3.jpg

http://www.megaupload.com/?d=I2XJG9OU

no pass

Tuesday, June 29, 2010

Artavazd Pelechian - Kyanq aka Life (1993)

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http://img21.imageshack.us/img21/5333/imdbimage.jpg

About the beginning of life from labor pains and birth and about its symbolic meaning. Pelechian's first color picture (7 min).

Quote:

Distance Montage: Peleshian arranges individual shots and sound bites so that while no narrative or polemical continuity is immediately apparent, an overall vision gradually evolves. Images and sounds are repeated, always in new contexts, until the entirety of Peleshian's sense of a subject - whether it's the day-to-day life of farmers and herdsman in his native Armenia (The Seasons) or the global fascination with the exploration of space by Soviets and Americans (Our Age) - can be comprehended. -Scott MacDonald



http://rapidshare.com/files/130074642/Kyanq.rar
no pass

Artavazd Pelechian - Menk aka Us (1969)

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http://img21.imageshack.us/img21/5333/imdbimage.jpg

Monumental picture exploring the identity and fate of the Armenian nation.

Quote:

"It was during my work on the film Us that I became convinced that my interests were elsewhere, that the very essence and main thrust of montage for me was found less in assembling scenes and more in the possibility of disjoining them, not in their juxtaposition but their separation. It became clear that what interested me above all wasn’t joining two elements of the montage, but rather separating them by inserting a third, fifth, even tenth element between them.

When faced with two important shots, both meaningful, I strive not to bring them together, or contrast them, but rather to create a distance between them. It’s not through the juxtaposition of two shots but by their interaction through the intermediary of numerous links that I manage to express the idea in the best possible way. The expression of meaning then acquires a stronger, deeper impact than by direct collage. Expressiveness becomes more intense and the film’s informative capacity takes on colossal dimensions. It’s this type of editing that I call counterpoint montage."

Artavazd Pelechian






http://rapidshare.com/files/130075589/Menq.part1.rar
http://rapidshare.com/files/130085131/Menq.part2.rar
http://rapidshare.com/files/130079247/Menq.part3.rar

no pass

Artavazd Pelechian - Vrej aka End (1992)

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http://img21.imageshack.us/img21/5333/imdbimage.jpg

In “End", Pelechian films, with a shoulder mounted camera, men and women from different ages and ethnic groups, in a train going from Moscow to Yerevan.

Quote:

Tous pris dans le défilement du voyage, un voyage sans horizon, dans ce lieu communautaire, ensemble malgré eux, ou toute figure se dilue dans sa contemplation et tourne à l'abstraction. Jusqu'à ce qu'un tunnel assène une " fin " au film, fin provisoire puisque le film suivant Vie (Kiank) semble prolonger le questionnement. Pelechian les proposent ainsi comme un dyptique



http://rapidshare.com/files/130085573/Verj.rar

no pass

Artavazd Pelechian - Nas Vek aka Our Century (1982)

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http://img21.imageshack.us/img21/5333/imdbimage.jpg

Our Century is a masterful montage of archive footage of space travel, edited with images from the beginnings of manned flight.

***
A metaphysical meditation on the conquest of space, failed blast-offs, imminent catastrophes, Icarus' dream exploited by both Russia and America and the fate of the astronaut... Our Century, a black and white film made in 1982, is considered a major work of auteur cinema.

***
A man paves his own way to his own soul through an intellectual quest, tragedies of nations and personal drama. The road moving through the cosmic distances is a flight into one's internal world. This flight and this drama are revealed in this philosophical film-poem.

Quote:

Toujours des processions, à la gloire de " notre siècle ", toujours cette impression d'une menace qui ne se dit pas, d'une rumeur qui se manifeste, mais ne s'incarne pas ; notre siècle, on ne l'oubliera pas, c'est le siècle des conquêtes et des génocides, le siècle de toutes les vanités aussi : les hommes vont y faire l'épreuve de toutes leurs prétentions. Ils lutteront contre les déterminismes de la nature, fabriqueront leur légende à coup de travestissements, de protocoles intimidants, d'audaces et d'entêtements, pour ne laisser en guise de témoignage que quelques images qui redisent, inlassablement, l'absurdité de cette vocation instinctive et totalitaire à la colonisation et à l'occupation des mondes.

" Longue méditation sur la conquête de l'espace, les mises à feu qui ne vont nulle part, le rêve d'Icare encapsulé par les Russes et les Américains, le visage défait par l'apesanteur des cosmonautes accélérés, la catastrophe qui n'en finit pas de venir. "
(Serge Daney, Libération, 11 août 1983).












Artavazd A. Peleshian studied cinema at the VGIK (Cinematic Institute of Moscow) in the 1960s. It was not until later in his career that his films were recognized abroad, thanks to French filmmaker Jean-Luc Godard who became his first and most ardent supporter. Today considered as one of the most important filmmakers of our time, he received the Scam Prize for Television for his whole work in 2000.
Inventor of an experimental "un-editing" technique, Peleshian threw aside the conventional rules of cinematography with his own contrapuntal editing. " Confronted with two important shots, the carriers of meaning, I do not try to bring them together, nor to confront them, but rather to create a distance between them..."
Through this contrapuntal editing process, Peleshian creates an original circular type of film radically renewing the art of cinema.

http://rapidshare.com/files/130108585/Mer_dare.part1.rar
http://rapidshare.com/files/130108665/Mer_dare.part2.rar
http://rapidshare.com/files/130108677/Mer_dare.part3.rar
http://rapidshare.com/files/130108884/Mer_dare.part4.rar
http://rapidshare.com/files/130113832/Mer_dare.part5.rar
http://rapidshare.com/files/130113856/Mer_dare.part6.rar
http://rapidshare.com/files/130109738/Mer_dare.part7.rar

no pass
 
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