Sometimes cited as the greatest of all Brazilian films, this 120 minutes silent experimental feature by novelist Mario Peixoto, who never completed another film, was seen by Orson Welles and won the admiration of everyone from Sergei Eisenstein to Walter Salles. But its status as a poetic narrative about a man and two women lost at sea in a rowboat, whose pasts are conveyed in flashbacks has kept it in the margins of most film histories, where its been known mainly as a provocative and legendary cult item. For Peixoto, the experience offered by Limite cannot be adequately captured by language, but was made to be felt. Therefore, the spectator should subjugate himself to the images as to anguished cords of a synthetic and pure language of cinema.
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no pass
