Fred Schepisi's first directorial effort, set in a Melbourne Christian Brothers-run seminary in the early 1950s, is a skilfully-made film albeit somewhat flat dramatically. It is a portrait of the experiences of a 13 year-old boy, Tom Allan (Simon Burke), and the men who are charged with educating him and ensuring his supposed vocation. Adapted by Schepisi from the semi-autobiographical novel by Thomas Keneally, who trained for 7 years to be a priest before bailing out and who appears here as Father Marshall, the theme of Catholic sexual repression is the script’s central issue. Although explored in various guises, from the boys’ masturbatory adventures to the struggles of the Brothers to deal with their sexual desires (which, in these more innocent times, were depicted without any suggestion of abuse of the boys) Schepisi’s approach tends to be illustrational rather than dramatically engaging. The result is always visually effective, with some marvellous tableaux, but not something which engages one emotionally. Of course, not only was this Schepisi’s first film (he had learnt his craft from making TV commercials), but the revitalized Australian film industry itself was in its infancy and many of the actors he used were primarily from theatre, something which perhaps adds to the rather staged feeling of the film. The performances are however solid, with Simon Burke in his first acting role being at times a little over-earnest but in general acquitting himself well in what is a demanding role. The Devil’s Playground for its day, however, was an impressively mature film, a brave and confrontational treatment of a taboo subject and deservedly stands as a classic of Australian cinema.
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no pass
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