Jonathan Rosenbaum point of view
Arguably Louis Malle's best work (1960). Based on Raymond Queneau's farcical novel about a little girl (Catherine Demongeot) left in Paris for a weekend with her decadent uncle (Philippe Noiret), this wild spree goes overboard reproducing Mack Sennett-style slapstick, parodying various films of the 1950s, and playing with editing and color effects (Henri Decae's cinematography is especially impressive), though gradually it becomes a rather disturbing nightmare about fascism. Forget the preposterous claim by a few critics that the movie's editing influenced Alain Resnais, but there's no doubt that Malle affected Richard Lester--and was clearly influenced himself by William Klein, whom he credited on the film as a visual consultant. A rather sharp, albeit soulless, film, packed with ideas and glitter and certainly worth a look
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English, Spanish subs .srt
no pass
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English, Spanish subs .srt
no pass
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