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Showing posts with label David Lynch. Show all posts

Friday, January 21, 2011

David Lynch - Lost Highway (1997)

http://img99.imageshack.us/img99/4198/losthighwaycoverlu8.jpg

http://img21.imageshack.us/img21/5333/imdbimage.jpg

Description: When Fred Madison finds a video tape on his doorstep that shows the interior of his house, he's convinced that someone has broken in and calls the police. Things get really complicated when he finds another videotape showing him killing his wife, and the police arrest him because his wife really was murdered! Then he disappears from the prison and we start watching the life of a young man who works in a garage...

http://img88.imageshack.us/img88/1830/lost2ka6.png

http://img88.imageshack.us/img88/2159/lost3ne3.png

http://img88.imageshack.us/img88/9111/lost4sv2.png

http://img97.imageshack.us/img97/5540/lost5hw9.png

Single Link
http://www.filesonic.com/file/62185829/LH.1997.DVDRip.XviD-UnSeeN.avi
1.46GB
or
http://www.filesonic.com/file/62174959/LH.1997.DVDRip.XviD-UnSeeN.part1.rar
http://www.filesonic.com/file/62174961/LH.1997.DVDRip.XviD-UnSeeN.part2.rar
http://www.filesonic.com/file/62174963/LH.1997.DVDRip.XviD-UnSeeN.part3.rar
http://www.filesonic.com/file/62174965/LH.1997.DVDRip.XviD-UnSeeN.part4.rar
http://www.filesonic.com/file/62174967/LH.1997.DVDRip.XviD-UnSeeN.part5.rar
http://www.filesonic.com/file/62174969/LH.1997.DVDRip.XviD-UnSeeN.part6.rar
http://www.filesonic.com/file/62174971/LH.1997.DVDRip.XviD-UnSeeN.part7.rar
http://www.filesonic.com/file/62174973/LH.1997.DVDRip.XviD-UnSeeN.part8.rar

no pass

Wednesday, January 12, 2011

David Lynch - Wild at Heart (1990)

https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEh6ecI0G1eyeLNOZ0Z-sexijIqcdsq0zv6tbM54PfdxVPJWVFUtoS7rz1jtNziOtHZcFwgCUTySUc1Bc-HPrflB8A2D3OzoWdNUDaULlzHB3nVNbwnEcnX1LwOPd4p9eC4VcLYJepfl-pQ/s1600/21-MAIO.jpg

After breaking parole for self defensive manslaughter, Sailor Ripley and his girlfriend Lula Fortune head down the highway for sunny California. Lula's mother sends out a private detective and a hitman after them. Sailor and Lula encounter an assortment of extremely bizarre "people" while discovering hidden secrets about one another. Full of lurid imagery and references to The Wizard of Oz. (Written by Jennifer Harrison)

http://www.filesonic.com/file/56576173/Wild.At.Heart.1990.BDRip.X264-TLF.part1.rar
http://www.filesonic.com/file/56576171/Wild.At.Heart.1990.BDRip.X264-TLF.part2.rar
http://www.filesonic.com/file/56576175/Wild.At.Heart.1990.BDRip.X264-TLF.part3.rar

no pass

David Lynch - The Elephant Man (1980)

http://img204.imageshack.us/img204/3730/elephantmancovercv2.jpg

from amg

John Hurt stars as John Merrick, the hideously deformed 19th century Londoner known as "The Elephant Man". Treated as a sideshow freak, Merrick is assumed to be retarded as well as misshapen because of his inability to speak coherently. In fact, he is highly intelligent and sensitive, a fact made public when one Dr. Frederick Treves (Anthony Hopkins) rescues Merrick from a carnival and brings him to a hospital for analysis. Alas, even after being recognized as a man of advanced intellect, Merrick is still treated like a freak; no matter his station in life, he will forever be a prisoner of his own malformed body. Unable to secure rights for the famous stage play The Elephant Man, producer Mel Brooks based his film on the memoirs of Frederick Treves and a much later account of Merrick's life by Ashley Montagu. The film is lensed in black and white by British master cinematographer Freddie Francis. Though nominated for a dozen Academy Awards, the film was ultimately shut out in every category.

Prior to this breakout film, director David Lynch was a cult figure, whose only previous film was the bizarre cult favorite Eraserhead. Elephant Man was in many respects a longer, more accessible, better plotted version of Eraserhead, underlining Lynch's fascination with physical freaks and sporting the same strange atmospherics, including the constant background noise of humming and hissing machinery. John Hurt sensitively plays the title role, based on a true story about a severely deformed man in late 19th century London who becomes the star of a freak show and the toast of society. Anthony Hopkins's role firmly established his career, and the film did the same for Lynch, who became a cultural hot property. Stark and unforgiving, Elephant Man promotes Lynch's vision of a society at odds with its members. The film received eight Oscar nominations, including Best Picture, though it won none of them

Single Link
http://www.filesonic.com/file/56517605/ELEPH4NT_M4N.mkv
1.46gb
or
http://www.filesonic.com/file/56517607/ELEPH4NT_M4N.mkv.001
http://www.filesonic.com/file/56517609/ELEPH4NT_M4N.mkv.002
http://www.filesonic.com/file/56517611/ELEPH4NT_M4N.mkv.003
http://www.filesonic.com/file/56517613/ELEPH4NT_M4N.mkv.004
http://www.filesonic.com/file/56517615/ELEPH4NT_M4N.mkv.005
http://www.filesonic.com/file/56517617/ELEPH4NT_M4N.mkv.006
http://www.filesonic.com/file/56517619/ELEPH4NT_M4N.mkv.007
http://www.filesonic.com/file/56517621/ELEPH4NT_M4N.mkv.008

no pass

Tuesday, June 22, 2010

David Foster Wallace - David Lynch Keeps His Head (1996)

http://i228.photobucket.com/albums/ee279/brownstone71/0349110018.jpg

quote:

Ostensibly a set report on the filming of Lost Highway for Premiere magazine but of course a much more ambitious piece than that; as you can only expect from Foster Wallace. This is more a nuanced (and very funny) interrogation of the whole Lynchian aesthetic with Wallace trying to get straight in his own mind why he's so fascinated by Lynch's work.

This is not the Premier piece but the greatly expanded version that appeared in A Supposedly Fun Thing I'll Never Do Again. If you enjoy this, please do hunt down a copy of this wonderful collection of essays (this is far from the best piece there; still pretty good though).

http://rapidshare.com/files/401890869/David_Lynch_keeps_his_head_.pdf
no pw

Monday, May 10, 2010

blackANDwhite - Lynch (2007)

http://img229.imageshack.us/img229/3350/lynchoneob8.jpg

Compiled from over two years of footage, the film is an intimate portrait of Lynch's creative process as he completes his latest film, INLAND EMPIRE. We follow Lynch as he discovers beauty in ideas, leading us on a journey through the abstract which ultimately unveils his cinematic vision. The director of the documentary immersed himself in David Lynch's world; living and working at Lynch's home. His unobtrusive style has captured a personal side of David Lynch not seen before. The film reveals Lynch not only as one of the most original and compelling directors of contemporary film but also as an artist who continues to explore and experiment in countless mediums. We witness his "hands on" approach to painting, sculpting, music and screenwriting. His enthusiasm is infectious; inspiring us to tap into the well of creativity that Lynch believes we all have

http://www.lynchdocumentary.com/
http://filmmakermagazine.com/directorinterviews/2007/10/blackandwhite-lynch.php

Friday, April 30, 2010

David Lynch - The Lime Green Set - Mystery Disc (2008)

http://g.imagehost.org/0714/lynch_lime.jpg

http://ecomm.davidlynch.com/catalog/LimeGreen.php

C o n t e n t

DAVID LYNCH INTRO (04:46 min.)

WILD AT HEART DELETED SCENES (76 min.)

OUT YONDER:
- TEETH (13:28 min.)
- CHICKEN (17:10 min.)

RABBITS:
- New EPISODE 1 (14:52 min.)
- New EPISODE 2 (12:15 min.)
- SCOTT (06:27 min.) (= Rabbits Episode 6)
- NAOMI (07:02 min.) (= Rabbits Episode 7)

CAVELCADE:
- EARLY EXPERIMENTS 16MM (21:40 min.)
- ABSURD ENCOUNTER WITH FEAR (02:11 min.)
- FICTITIOUS ANACIN COMMERCIAL (01:06 min.)
- CANNES SHORT FILM "SCISSORS" (02:21 min.) (= Absurda)
- TWIN PEAKS FESTIVAL GREETING 2008 (04:21 min.)
- A REAL INDICATION VIDEOCLIP (05:36 min.)
- HOLLYSHORTS FESTIVAL GREETING (03:58 min.)

R e v i e w

32 DELETED SCENES FROM WILD AT HEART

The crown jewel to the entire box set. Almost 2 hours of Deleted Scenes from the film Wild at Heart. As Lynch mentioned in a previous interview, the video is "kind of funky" as it all comes from a surviving workprint. Watching these scenes was like taking a trip back in time and going back into the world of "Wild at Heart" that Lynch created. As Lynch put it, "It's like going back on the road with Sailor and Lula."

This collection of Deleted Scenes is very extensive. Many of the publicity stills that I've seen in various magazines are finally realized in these Deleted Scenes. It is a shame that the quality of the video isn't better, but finally being able to see them in any form is still a great thing. The scenes are presented in 2.35:1 anamorphic widescreen. The audio has been cleaned up, scored, and is even in 5.1. There is a classic scene that happens at Club Zanzibar that is absolutely brilliant and echoes moments in Blue Velvet. Strangely, it appears that parts from the Johnnie Farragut torture scene were already trimmed from this workprint. While we get to see a brand new scene where Grace Zabriskie's Juana plays the bottle game, it appears that unfortunately (or maybe fortunately for some) the end scene where Juana masturbates with Johnnie's dead head and has sex over Johnnie's corpse with Reggie were cut out of this workprint. Regardless, these scenes are pure GOLD and are will be sure to satisfy all hardcore David Lynch and Wild at Heart fans.

OUT YONDER

David Lynch and son Austin Lynch star in two Episodes of the Series made for David Lynch.com. The episodes presented are "Teeth" which was featured on David Lynch.com as well as "Chicken" which I believe has never been released before and also stars Emily Stofle. Both Episodes are shot in Black and White.

RABBITS

Lynch has included for this release 4 Episodes of Rabbits. Although marked as Episode 1, 2, Naomi, and Scott, for those that watched these on David Lynch.com the first time around, it appears that Lynch has renamed the Episodes 7 to "Naomi" and Episode 6 to "Scott". He has also combined a few of the other Episodes to form the new Episode 1 and Episodes 2. The only Episode that comes to mind that seems to be missing is the Rebekah Del Rio Episode. Running time on all Rabbits material is a little over 40 minutes.

CAVELCADE

The final section is called Cavelcade in which Lynch selects an assortment of short clips that have never been released before. The first selection is called "16mm" which is a Lynch 16mm film experiment conducted in 1967 and 1968 in Philadelphia which feature small parts of the Alphabet and the Grandmother. Lynch stars in this film. The next film is called "Absurd Encounter with Fear" which stars Jack Fisk and Peggy Reavey. This film was shot in 1967 and it is very reminiscent of the short films. Lynch also has included a "Fictitious Anacin Commercial" also starring Jack Fisk. The Cannes short "Scissors" is also included on this disc. One of the coolest things on this disc is the "Twin Peaks Festival Greeting" which is a surreal short film that Lynch made for last years Twin Peaks Festival. It only screened once and is in Black and white. In this film, Lynch is speaking backwards in what looks to be a cross between the floors of Eraserhead and the Twin Peaks Red Room. Sitting next to him is a plastic doll with the face of Laura Palmer. It was an absolute delight to see this rare gem. Next up is what Lynch calls a "Poor Man's Music Video" which he shot with Angelo Badalamenti out on the street for the song "A Real Indication". Finally, there is a "Hollyshorts Greeting" which is a fun piece that Lynch presented as his acceptance for the Hollyshorts 2008 Visionary Award. (link)

David Lynch - The Short Films of David Lynch (2002)

http://i214.photobucket.com/albums/cc258/NicoDGippo/DavidLynchShortFilms.jpg

*** This comment may contain spoilers ***

The Short Films of David Lynch is just the thing for all those who have enjoyed his other work. Ranging from his first, art installation Six Men Getting Sick, over the deep and visually wonderful The Grandmother, to The Cowboy and the Frenchman and Lumière and Company, this collection gives a deep insight in and nicely rounds off Lynch's oeuvre.

Six Men Getting Sick, a one-minute 'scene' originally presented in an infinite loop, and The Alphabeth clearly mirror Lynch's background as a painter and give an idea of the visuality as well as the structural and colour quality of his art.

Some of the unique, disturbing and fascinating elements of his later films and television series Twin Peaks are foreshadowed in his ambiguous and highly aesthetic Grandmother, his third attempt at using moving images. Be it the rapid and sometimes unsettling, disorienting cuts, the dropping of frames, dark, under-lit interiors, associative combination of images and scenes, characters moving and uttering themselves in animalic ways – Lynch succeeds in telling a story that, far from being realistically filmed, moves, rings true, refrains from offering clear answers and positions, and that is extremely close to its protagonists.

Seeing these early pieces of his work one cannot help but wonder whether entering the outskirts of mainstream film-making did not compromise his unique artistic vision, his particular quality and outstanding talent to too great an extent.

The Amputee, purportedly conceived spontaneously when given the opportunity to test some new film material, is more Lynch then one would assume. As the subject of this technically simple one-shot is both an unexcited letter about some partnership/friendship conflicts and a medical doctor checking on the fresh amputation stumps of the letter-writer, the clip is a fine demonstration about what happens to the spectator as soon as basic conventions of film-making and focus setting are deviated from. The mind reels, trying to come to terms with the realistically portrayed medical operations on the amputated leg and the turns of the letter's story given in calm and detached voice over by the completely unimpressed amputee. The sound is awfully reminiscent of the matter-of-fact splattering and splurging of, for instance, Eraserhead – and final relief only sets in, when the doctor himself flees from his eerily non-chalant patient and her blood-spouting stump.

The Cowboy and the Frenchman is a piece of lighthearted comedy, and one soon comes to regret that such projects as Life of the Bovine have not made it beyond the initial stages of conceptualization. Here, the fabric of the story is woven out of the obvious stereotypes of the down-to-earth Westerner and the refined, gourmet Frenchman, tossing in the inevitable Indian as well as a bunch of Southern chicks. The ideas of liberté, égalité, and sister- rather than brotherhood eventually help bridge the cultural gap and lead to a shared drunken night with song and dance. Vive la France!

From the point of view of style, final Lumière and Company is probably the absurdest piece in the collection. Shot in the style of the pre-twentieth century short-shorts of brothers Lumière, Lynch's take has a decidedly Twin Peaks and Blue Velvet feel to it, including a disturbing fade to white. Set in what appears to be small town America, the four takes present us with the story of a murder linked to some obscure and no doubt secret operation involving masked men and a naked woman set up in a laboratory environment.

On the whole, these short films do not only illustrate the range of Lynch's artistic abilities – and one would wish for him to indulge in that format more often; together with his paintings, they are also a great means to come closer to the mind and eyes of one of the most unconventional and visionary contemporary filmmakers.

http://rapidshare.com/files/78560226/The_Short_Films_of_David_Lynch_meshwele.part1.rar
http://rapidshare.com/files/78566352/The_Short_Films_of_David_Lynch_meshwele.part2.rar
http://rapidshare.com/files/78572503/The_Short_Films_of_David_Lynch_meshwele.part3.rar
http://rapidshare.com/files/78578770/The_Short_Films_of_David_Lynch_meshwele.part4.rar
http://rapidshare.com/files/78585534/The_Short_Films_of_David_Lynch_meshwele.part5.rar
http://rapidshare.com/files/78592425/The_Short_Films_of_David_Lynch_meshwele.part6.rar
http://rapidshare.com/files/78597517/The_Short_Films_of_David_Lynch_meshwele.part7.rar

Rar Password: None

David Lynch - The Alphabet (1968)

http://img231.imageshack.us/img231/5515/pdvd0026rq.jpg

3:47 mins color film-Mpg

Against a backdrop of bizarre shapes and textures, a small organic figure gives birth to the letters of the alphabet while a mixture of children's voices and an operatic tune are singing out. The figure's head collapses causing blood to rain on a girl while she lays in her bed, resulting in the girl violently vomiting blood herself.

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This short lays the groundwork for themes that Lynch has explored in many of his later films including those of a trapped child and monster parents. This short really is like watching a captured nightmare, and I mean that in a good way.