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Showing posts with label João Pedro Rodrigues. Show all posts

Friday, December 31, 2010

João Pedro Rodrigues - Morrer Como Um Homem AKA To Die Like a Man (2009)

http://img21.imageshack.us/img21/5333/imdbimage.jpg

synopsis taken from the Cannes Festival site:

«Once upon a time there was a war… In the darkness of the night, a young soldier goes AWOL.
Tonia, a veteran transsexual in Lisbon’s drag shows, watches the world around her crumble. The competition from younger artists threatens her star status.
Under pressure from her young boyfriend Rosário to assume her female identity, the sex change operation that will transform her into a woman, Tonia struggles against her deeply-held religious convictions. If, on the one hand, she wants to be the woman that Rosário so desires, on the other, she knows that before God she can never be that woman. And her son, whom she abandoned when he was a child, now a deserter, comes looking for her.
Tonia discovers that she’s ill. To get away from all her troubles she travels to the countryside with Rosário, on the excuse of visiting his brother. Rosário takes the road of his childhood but will never find the right way. Lost, they find themselves in an enchanted forest, a magical world where they come across the enigmatic Maria Bakker and her friend Paula.
And that meeting will turn their whole world on its head…»

Single Link
http://www.filesonic.com/file/50552938/Rodrigues - Morrer como um homem (2009).avi
http://www.filesonic.com/file/50544410/Rodrigues - Morrer como um homem (2009).srt
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http://www.filesonic.com/file/50567664/Morrer como um homem (2009).part01.rar
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http://www.filesonic.com/file/50569286/Morrer como um homem (2009).part14.rar

no pass

Monday, June 14, 2010

João Pedro Rodrigues - Odete (2005)

Two lonely people careen through life following their individual experiences of loss: Rui, a handsome young romantic, loses his lover Pedro on the day of their anniversary; Odete, as fetching as she is unstable, is abruptly dumped by her boyfriend when she broaches the subject of starting a family. Their worlds collide when Odete becomes obsessed with Pedro, a man she never knew. Rui is quick to see through Odete`s fictive life with Pedro but Pedro`s family is swayed. As Rui trudges through his pain towards acceptance, Odete begins to loosen her hold on reality. The unexpected ending takes Rui and Odete to their most extreme, realizing both their desires in a single act.

Thursday, May 20, 2010

João Pedro Rodrigues - O Fantasma AKA Phantom (2000)

http://c.imagehost.org/0156/O-Fantasma-dvd.jpg

Plot from Imdb:
Young and handsome Sergio works the night shift as a trash collector in Lisbon, Portugal. He can't force himself to connect with his pretty female co-worker Fatima, who displays an avid interest in him, so instead Sergio roams the city with the trash company's pet dog. Eventually Sergio becomes fascinated with a sleek motorcycle, and then also its arrogant owner - a young man totally indifferent to Sergio. The frustrated trash collector's surfacing desires unleash his darkest impulses, sending him down a dangerous path of violence, depravity and degradation.

Don Willmott, filmcritic.com 2004 wrote:

Let me pitch a movie idea. There's this gay garbageman, see, and he lives in Portugal, see, and he's a pervert who roams the city at night in a black rubber catsuit and searches out dangerous anonymous sexual encounters. Would you care to invest?

Amazingly enough, someone did, and the result is O Fantasma, a naughty and strangely compelling slice of Lisbon life that proposes, somewhat fuzzily, that without grounding in a healthy loving relationship, we humans quickly devolve into the savage beasts that we truly are.

The beast in this case is Sergio (Ricardo Meneses), a young garbageman whose pouty good looks ' he looks ripped from a Calvin Klein cologne ad ' have yet win him a girlfriend, or a boyfriend for that matter. He seems to relate best to the garbage crew's pet mascot, a mutt named Lorde. Though his co-worker Fátima (Beatriz Torcata) is interested in him, his erotic advances consist of licking her face (like a dog) rather than kissing her.

Sergio doesn't talk much, but he communicates well from the waist down, seeking out bathroom trysts, spur-of-the-moment bondage scenes, and even autoerotic adventures with a shower hose wrapped tightly enough around his neck to leave harsh welts.

Things start to get out of hand when on his garbage route, Sergio encounters the handsome João (André Barbosa), who has a beautiful Suzuki motorcycle. Instantly obsessed, Sergio becomes his stalker, pawing through the guy's trash (like a dog) to find a sexy souvenir. He's in luck. João's torn Speedo soon becomes Sergio's favorite article of clothing.

Over the next few days, Sergio spies on João at the local pool, licks the shower stall where João has just bathed, dry humps João's motorcycle in full view of two cops, urinates on João's bed (marking his territory), and, once he slips into his rubber catsuit, sets out to kidnap the poor guy.

There’s little dialogue in O Fantasma. The heavy-handed dog symbolism is augmented by a soundtrack that consists of little more than howling and barking dogs. Sure enough, Sergio devolves into full animal mode, skulking through the Lisbon garbage dump in the dark (in his catsuit), lapping up water out of puddles and eating trash. By day's light he's still there, covered in mud, looking like a morning-after-Halloween nightmare, staggering through the muck. Framed in a doorway like John Wayne at the end of The Searchers, Sergio is heading off to a very uncertain future. It's quite an image.

Writer/director João Pedro Rodrigues never makes it clear whether he thinks that Sergio is an aberrant case or that we're all really just low down dirty dogs just waiting for our chance to hump whatever comes along next, be it a man, a woman, or a motorcycle. Nevertheless, Sergio's dangerous nocturnal ramblings are exciting to watch. Who knew that Portuguese garbagemen had so much going on?