Frank Perry & Sydney Pollack - The Swimmer (1968)

Plot Synopsis by Hal Erickson
John Cheever's "misery in suburbia" short stories, brief and to the point, have always proven excellent TV fodder. Director Frank Perry's The Swimmer, adapted for the screen by Perry's wife Eleanor, is a rare, and for the most part successful, attempt at offering a Cheever story in feature-length form. Dressed only in swimming trunks throughout the film, Burt Lancaster plays a wealthy, middle-aged advertising man, embarked on a long and revelatory journey through suburban Connecticut. Lancaster slowly makes his way to his split-level home by travelling from house to house, and from swimming pool to swimming pool. At each stop, Lancaster comes face to face with an incident in his past. Informing Kim Hunter that he once harbored a secret love for her, Lancaster is mildly upset by Hunter's indifference. Elderly Cornelia Otis Skinner is incensed at Lancaster's intrusion in her backyard and orders him to leave. At the next home, Lancaster tries to seduce the nubile Janet Landgard, who'd once baby-sat for his daughters, but she runs away in horror. And so it goes: as each subsequent suburbanite peels off his self-protective veneer, Lancaster grows more and more disillusioned with what he thought was his ideal lifestyle. The more intensely painful episode is the confrontation between Lancaster and ex-mistress Janice Rule (this scene was directed, without credit, by Sydney Pollack). Thoroughly defeated, the all-but-naked Lancaster laboriously makes his way through the Connecticut woods in a blinding rainstorm, desperately seeking out his own home where he fully expects his "loving" wife and daughters to greet him. Not this time. Dismissed as too self-consciously "arty" at the time of its release, The Swimmer's reputation increased over the decades following its release thanks to constant late-night TV exposure. The film represents the first movie work of 22-year-old composer Marvin Hamlisch.







Single Link
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Subs: Castellano/Français/English/Portugués/Italiano
no pass

Sydney Pollack - Havana (1990)

Cuba, December 1958: The professional gambler Jack visits Havana to organize a big Poker game. On the ship he meets Roberta and falls in love with her. Shortly after they arrive in Cuba, Roberta and her Cuban husband, the revolutionary Arturo, are arrested and tortured. Arturo is reported "shot while trying to escape," but Jack manages to get Roberta free again. He can't, however, keep her from continuing to support the revolution. Jack has to make a choice between the beautiful woman who keeps putting herself in harms way and the biggest poker game of his life; between the man he could be and the man he is.(imdb)

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no pass

Sydney Pollack - Bobby Deerfield (1977)

Description: When Bobby Deerfield was marketed in the USA it was sold to the public as a racing picture like Grand Prix or Le Mans. I well remember the advertisements for it. The European racing scene however is only a background for an Erich Maria Remarque novel on which the film is based. It is a very typical Remarque story about doomed people.

Remarque was one of the most pessimistic of 20th century writers. His best known work however usually has a war background. He spent his entire life trying to out do his first great success All Quiet On The Western Front. Such other work as Three Comrades and Arch of Triumph which were also filmed had a war background or post or pre-war if you will.

The novel Bobby Deerfield is based on Heaven Has No Favorites and came out in 1961 and its protagonist was not an American. My guess is that in order to film it and insure box office the protagonist was changed to an American and a rising American star was cast. Al Pacino plays the title role, an American driver on the European circuit who is self involved in his career. In fact he goes visiting another injured driver, not out of any tremendous concern for him, but to find out information about the crash because he's driving the exact same type of car.

While at the hospital he meets Marthe Keller who leaves the hospital with him. She's a terminal tuberculosis patient and she wants to experience a little of life before it's too late. His kind of risk taking profession appeals to her. It takes a while, but the two develop a relationship.

Which was paralleled in real life between Al Pacino and Marthe Keller and that certainly helped the film a lot. Keller joins Ingrid Bergman from Arch of Triumph and Margaret Sullavan in Three Comrades as yet another of Remarque's doomed heroines. And like in war Pacino's in a job where his number can come up any time.

The film was shot on location in France. Sydney Pollack showed some of the style he did while making that other Oscar winning romantic film Out of Africa. The French countryside is captured beautifully.

Still I think it was bad for American audiences to expect another Grand Prix in Bobby Deerfield. There was enough racing scenes in the film to satisfy racing fans, maybe. But make no mistake, this is a tender romantic story and a good one. (bkoganbing - IMDB).





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Rar Password: man75

Sydney Pollack - The Scalphunters (1968)

Description: For his third feature outing, director Sydney Pollack helmed this comedic western starring (Burt Lancaster) as fur trapper Joe Bass. While heading for the trading post for his pay after a successful hunting season, Bass runs into a band of Kiowa Indians, who offer to trade the educated slave Joseph (Ozzie Davis) for Bass's furs. Severely outnumbered, the uneducated Bass reluctantly agrees to the swap at gunpoint. Bass and Joseph then follow the Indians in hopes of retrieving the furs. Along the way, the Indians meet up with Jim Howie (Telly Savalas), who not only steals the furs from the Indians, but Joseph from Bass. From there, Jim and his mistress Kate (Shelley Winters) head for Mexico, a move that is fine with Joseph because slavery is outlawed there. But they may not make it south of the border, as the Indians have regrouped and are on their trail with plans to take back the furs.

Pauline Kael's review: A rousing comedy-Western with an amiable tone. Ossie Davis is a runaway slave who is captured by Indians and Burt Lancaster is a stubborn-minded fur trapper. Lancaster gives one of those performances of his that really work and yet are so odd that it's hard to know why they work. Ossie Davis and he play quarrelling buddies, and they're peculiarly funny together, maybe because they're both such physical performers. (At the end they fight in mud and emerge the same color.) Shelley Winters chomps on a stogie and bones up on astrology in the covered wagon she shares with her temporary sweetie, Telly Savalas. Under Sydney Pollack's direction they all perform with wit and--for these four--restraint. The movie becomes a shade idiotic near the end, but it's too enjoyable for that to matter much.

Review @ The New York Times: http://preview.tinyurl.com/p6mt6o
Write-up @ Turner Classic Movies: http://preview.tinyurl.com/ocx8y3
Review by Roger Ebert: http://preview.tinyurl.com/q3hldx








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no pass

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no pass

Sydney Pollack - Castle Keep (1969)

Summary:
Surreal war picture featuring Burt Lancaster as a one-eyed Major committed to stopping the German war machine, one-eyed Peter Falk as a Sargeant committed to being the best baker he can be, Patrick O'Neal as an art historian/Captain wanting to save artwork and architecture, and the lovely Astrid Heeren who will do "anything" to protect her husband's castle presented in narrative form from the perspective of an African American Private yearning to write the Great American Novel. Rounding out the cast is Scott Wilson, Bruce Dern, and Michael Conrad. An early offering from the young Sydney Pollack.













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no pass

Sydney Pollack - Jeremiah Johnson (1972)

PLOT SYNOPSIS ALLMOVIE
Years before Kevin Costner danced with wolves, Robert Redford headed to the mountains to escape civilization in Sydney Pollack's wilderness western. Around 1850, ex-soldier Johnson (Redford) decides that he would rather live alone as a mountain man in Colorado than deal with society's constraints. After a series of setbacks, he meets grizzled mountain veteran Bear Claws (Will Geer), who teaches him how to survive. Jeremiah strives to live as peaceably as possible in the rugged environment, trading with the native Crow tribe, adopting a boy (Josh Albee) after his family is massacred, and even marrying the daughter (Delle Bolton) of a Flathead chief in order to avoid confrontation. He settles into a mountain home with his family, but the U.S. cavalry, complete with a puritanical Reverend, interrupt the idyll to compel Jeremiah to lead them over the mountains and through a Crow burial ground to rescue white settlers. After the Crow kill his family in retaliation, Jeremiah's frenzied moment of payback precipitates a long-running vendetta, turning him into a legendary Indian killer at the expense of his original ideals, on the way to a final moment of grace. Spectacularly shot on location in Utah, the film captures both the appeal and the challenge of the landscape that Jeremiah chooses over civilization. With an unglamorous performance by Redford and a story that questioned white colonialism while mythologizing the man of nature, Jeremiah Johnson appealed to its 1972 audience and became one of the biggest hits of the year. Wavering between heroicizing Jeremiah for surviving and damning him for killing, Jeremiah Johnson took its place among the Vietnam-era cycle of critical westerns, like Arthur Penn's Little Big Man (1970) and Robert Altman's McCabe and Mrs. Miller (1971), that condemned civilization for corrupting the wilderness and preventing individuals from going pacifistically native. — Lucia Bozzola





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no pass

Sydney Pollack - Out of Africa (1985)

Karen Blixen, a Danish woman, marries a friend for the title of Baroness and they move to Africa and start a coffee plantation. Things unfold when her husband begins cheating on her and is away on business often, so she's at home alone, working on the farm and bonding with two men she met in her first day in Africa. She eventually falls in love with the one, Denys Finch-Hatton and goes on safari and whatnot with him. Later, she begins to want more from him than the simple friendship/relationship they have and pushes marriage, but Denys still wants his freedom. By the end, she's gained a much better understanding and respect for the African culture than when she came. Written by KKaliforniApril22 (IMDB).




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LANGUAGE ***** : English, Swahili
SUBTITLE ***** : English, Korean
no pass

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http://rapidshare.com/files/142444404/1985.Out.of.Africa.part6.rar
http://rapidshare.com/files/142447273/1985.Out.of.Africa.part7.rar
http://rapidshare.com/files/142447435/1985.Out.of.Africa.part8.rar

no pass

http://rapidshare.com/files/116177306/0ut_of_Afr1ca.part1.rar
http://rapidshare.com/files/116177323/0ut_of_Afr1ca.part2.rar
http://rapidshare.com/files/116208369/0ut_of_Afr1ca.part3.rar
http://rapidshare.com/files/116211294/0ut_of_Afr1ca.part4.rar
http://rapidshare.com/files/116211458/0ut_of_Afr1ca.part5.rar
http://rapidshare.com/files/116211457/0ut_of_Afr1ca.part6.rar
http://rapidshare.com/files/116211528/0ut_of_Afr1ca.part7.rar
http://rapidshare.com/files/116217531/0ut_of_Afr1ca.part8.rar

no pass

Sydney Pollack - The Way We Were (1973)

Katie and Hubbell are students in the same college but with very different lives. She is a communist compromised against the civil war in Spain and the rise of Hitler in Europe, and has to work to pay her studies. He is more interested in sports a and sceptic about politics. However, Katie is impressed by his charm and she still is when they meet some years after.





http://rapidshare.com/files/102717044/aaTwww.aa-koi.part01.rar
http://rapidshare.com/files/102727329/aaTwww.aa-koi.part02.rar
http://rapidshare.com/files/102738632/aaTwww.aa-koi.part03.rar
http://rapidshare.com/files/102751995/aaTwww.aa-koi.part04.rar
http://rapidshare.com/files/102765174/aaTwww.aa-koi.part05.rar
http://rapidshare.com/files/102779194/aaTwww.aa-koi.part06.rar
http://rapidshare.com/files/102803293/aaTwww.aa-koi.part07.rar
http://rapidshare.com/files/102829084/aaTwww.aa-koi.part08.rar
http://rapidshare.com/files/102844061/aaTwww.aa-koi.part09.rar
http://rapidshare.com/files/102848614/aaTwww.aa-koi.part10.rar

Subtitles: Greek & English (.srt)
no pass

http://rapidshare.com/files/385783869/TheWWW.part01.rar
http://rapidshare.com/files/385788809/TheWWW.part02.rar
http://rapidshare.com/files/385796631/TheWWW.part03.rar
http://rapidshare.com/files/385800602/TheWWW.part04.rar
http://rapidshare.com/files/385804641/TheWWW.part05.rar
http://rapidshare.com/files/385808964/TheWWW.part06.rar
http://rapidshare.com/files/385813583/TheWWW.part07.rar
http://rapidshare.com/files/386055999/TheWWW.part08.rar
http://rapidshare.com/files/386061832/TheWWW.part09.rar
http://rapidshare.com/files/386063860/TheWWW.part10.rar

no pass

Sydney Pollack - Sketches of Frank Gehry (2005)

Quote:

Oscar winning director Sydney Pollack takes a sharp sideways turn with SKETCHES OF FRANK GEHRY, a documentary about the noted architect. Usually known for making grandiose productions such as THE FIRM and OUT OF AFRICA, Pollock adds a genuine curio to his filmmaking resume with this movie. Although the two men have been friends for years, Pollock thankfully bypasses the opportunity to pay a fawning tribute to Gehry, instead presenting a well-balanced portrait that offers both positive and negative commentators the chance to etch their thoughts into celluloid. But it quickly becomes clear that the biggest naysayer of all is Gehry himself, who is painted as a highly self-critical man, clearly ill-at-ease with fame and his own achievements. Pollock offers some screen time to Gehry's magnificent creations, but not as much as a less experienced director might have done, instead choosing to focus on the man himself. People such as Gehry's therapist, Milton Wexler, and garrulous artist/director Julian Schnabel (BASQUIAT) offer their thoughts, but the real magic occurs when Pollock and Gehry are on screen together. The series of interviews between the two men have the kind of relaxed atmosphere that could only exist after years of friendship, and Gehry comes across as an astonishingly normal and likeable fellow who keeps his ego firmly in check. Shooting mostly with hand-held digital-video cameras also brings a nice intimacy to the proceedings, creating a warm testimony to a great artist who has somehow managed to keep his integrity intact despite the ruthless nature of the industry in which he works.

Quote:

It's a low-key, intimate conversation between two buddies who, as Pollack -- the Oscar-winning director of Out of Africa -- puts it, are 'trying to find ways of creative expression within industries that make stringent demands.'
- Elizabeth Weitzman, New York Daily News

We are seduced by the rules-busting fabulousness of Gehry's output -- all a-tumble with cubist edges, spirals and crinkle-cut effects, done up on a massive scale. But we are also disarmed by the architect's persona.
- Jan Stuart, Newsday

Sketches of Frank Gehry respects the essential enigma of its subject even as it illuminates his ways of thinking about form, space and construction.
- A.O. Scott, New York Times








http://rapidshare.com/files/190503004/Sketches_of_Frank_Gehry.mp4.001
http://rapidshare.com/files/190507187/Sketches_of_Frank_Gehry.mp4.002
http://rapidshare.com/files/190511440/Sketches_of_Frank_Gehry.mp4.003
http://rapidshare.com/files/190515896/Sketches_of_Frank_Gehry.mp4.004
http://rapidshare.com/files/190523638/Sketches_of_Frank_Gehry.mp4.005
http://rapidshare.com/files/190528307/Sketches_of_Frank_Gehry.mp4.006
http://rapidshare.com/files/190533679/Sketches_of_Frank_Gehry.mp4.007
http://rapidshare.com/files/190538741/Sketches_of_Frank_Gehry.mp4.008
http://rapidshare.com/files/190543647/Sketches_of_Frank_Gehry.mp4.009
http://rapidshare.com/files/190549326/Sketches_of_Frank_Gehry.mp4.010
http://rapidshare.com/files/190554479/Sketches_of_Frank_Gehry.mp4.011
http://rapidshare.com/files/190559427/Sketches_of_Frank_Gehry.mp4.012
http://rapidshare.com/files/190499128/Sketches_of_Frank_Gehry.mp4.013
http://rapidshare.com/files/190499205/Sketches_of_Frank_Gehry.mp4.014

no pass