Private detective Sam Ruben's clever plan falls apart with the onset of amnesia. Everyone is trying to kill him and he doesn't know why. The classic film noir milieu now comes to you in the form of an animated feature.
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In its U.S. premiere at San Francisco’s International Animation Festival, writer-director D. Jud Jones and co-director-chief animator Risto Topaloski’s Film Noir nowhere approximates the chiaroscuric virtuousity of last year’s Renaissance—its digital effects don’t quite match Christian Volckman’s standard—but, all in all, Film Noir has received favorable reviews, no less from Variety, possibly because it doesn’t aim so high to be an art film and audiences find its hardboiled narrative accessible. Toss in a tip of the hat to Frank Miller’s Sin City franchise with its splashes of appropriately-situated color against black and white backdrops, and some curvaceous duplicitous dames to die for, and what you get is a steamy, sax-driven story of sex, greed and murder; an evening’s worth of solid adult entertainment.
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